Dead Guys Finish Last

How impor­tant is a brand’s her­itage? I’d say it depends on the prod­uct cat­e­gory. With auto­mo­biles, for instance, evi­dence indi­cates that a brand’s her­itage does play a part in the buy­ing decision.

For a now rapidly dwin­dling seg­ment of elderly car buy­ers who fondly recall the grand old Gen­eral Motors (GM) brand in its hey­day, a boule­vard barge with a plush inte­rior and a Cadil­lac badge on its nose may still be the ulti­mate state­ment of luxury.

Back in 2003 Buick, a strug­gling brand then in its 100th year, tried to evoke its her­itage by res­ur­rect­ing GM’s flam­boy­ant auto­mo­bile styl­ist Harley Earl (1893–1969).

For rea­sons that were never made clear, GM appar­ently thought it had an appeal­ing spokesman in Earl, whose dubi­ous design legacy included such touches as rak­ish tail­fins, lots of chrome, and two-tone paint.

The McCann-Erickson ads for Buick with John Diehl (Detec­tive Larry Zito on Miami Vice) as the fedora-wearing ghost of Harley Earl were embar­rass­ing. They bombed, of course, and Buick sales con­tin­ued their slide.

It was a ques­tion­able strat­egy — and not just because of Earl’s tailfins-and-chrome rep­u­ta­tion or the fact that his star had waned after con­sumer advo­cate Ralph Nader wrote Unsafe at Any Speed, a hugely influ­en­tial book that exco­ri­ated auto­mo­bile design­ers for their pre­oc­cu­pa­tion with looks at the expense of safety.

Per­haps the real rea­son Buick’s cam­paign failed is that his­tory is not America’s favorite sub­ject: 45 years after Harley Earl’s retire­ment, few peo­ple knew who he was.

It wasn’t the first time an obscure old guy had been fea­tured in auto­mo­bile adver­tis­ing. Nis­san had launched its Mr. K cam­paign back in 1996. The ads fea­tured a stand-in for a sprightly octo­ge­nar­ian named Yukata Katayama (also known as Mr. K).

The Chiat/Day adver­tis­ing cam­paign for Nis­san starred actor Dale Ishi­moto, a dec­o­rated Japanese-American vet­eran who’d served with the sto­ried 442nd Reg­i­men­tal Com­bat Team in World War II. In the ads, Ishi­moto played Mr.K, who’d had, among other things, the good sense to rechris­ten the Dat­sun Fair­lady as the Dat­sun 240Z when it was first intro­duced in the U.S. in 1970.

Mr. Katayama was revered by a devoted coterie of diehard Amer­i­can fans who fondly recalled his efforts on behalf of the sturdy lit­tle cars made by Dat­sun, the name under which Nis­san cars and trucks had orig­i­nally been sold in the United States (the ads, by the way, didn’t attempt to trace the brand’s lin­eage, and didn’t men­tion the fact that the name Dat­sun was changed to Nis­san in the U.S. in 1981).

The assump­tions under­ly­ing Chiat/Day’s cre­ative strat­egy appear to have been that mil­lions of car-buyers would know who Mr. Katayama was, and that they were famil­iar with the story of what he had done to estab­lish the Nis­san brand in the U.S.

Unfor­tu­nately for Nis­san they didn’t, and sales pre­dictably plummeted.

The ques­tion is, even if the car-buying pub­lic had known who Mr. K was, would they have cared?

Copy­right © 2008 The Gra­ham Agency. All rights reserved.

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